English in Taiwan

Tang Ki Bloodletting Temple Ritual Religious Occasions Tainan

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On Assignment


By Chris Scott
Photography by Chris Scott

The assignment was fairly straightforward: get some photos to accompany a story on the Tang-ki, a religious group who express their devotion through self-flagellation. A Taiwanese friend of mine filled me in, saying that the Tang-ki believed that if they were pious enough, they could not feel the pain. He also mentioned that many of the Tang-ki were gangsters in their spare time, and when two different groups of them ended up at the same temple, it would spark intense rivalry to the point where they would occasionally give each other a helping hand with the bloodletting.

“The Nankunshen Temple is about 700 meters past the intersection of the 171 on the 17,” said the e-mail from Salvatore. “It’s fucking massive. Parking lot’s like a football field. You can’t miss it.” He left me Pawl’s number and a final bit of advice, “It all goes down before 10am, so you probably want to be there by 7:30 or 8.”

Simple enough. First thing is to contact Pawl and arrange a time to meet. For a guy who doesn’t concern himself too much with the technical minutiae of photography, he takes beautiful pictures. Shooting with him is always a learning experience. However, he wasn’t concerning himself too much with his telephone this time, so a solo trip seemed likely. Let’s see… a 7:30 a.m. arrival would be a 6:30 departure, add in time for breakfast and gearing up and a chat with Dane in Tallahassee. My alarm was set for 4:30 a.m. and the sheets saw me early, having given up a coveted Saturday night on the town. Think of all those girls I could have talked to.

I woke up sharply to the alarm ringing at 6:30, having hit the snooze button twelve times. No time to eat, call Dane, or download the Xpat release party pictures from the camera. Five minutes later the elevator spat me out bleary-eyed into the chilly morning. An hour after that saw my arrival at the given address. A slight problem presented itself at this point. There was no temple. I kept going. 700 meters rolled into 1700 and still no sign of the place. Finally, in the distance a roof came into view. Pulling up at the entrance I ran through the list. Massive temple? Check. Parking lot like a football field? Check. 700 meters past the 171? Well, more like four kilometres, but when do we ever get it all right? I had arrived.

In the immortal words of somebody famous, “The place was dead as Heaven on a Saturday night.” No Tang-ki, no worshippers, hardly any staff even. Snooping around, I found it was indeed a huge temple —so big it had its own ATM, but in fact was more like one new big temple surrounding a very old temple; decades of incense blackened every post, beam and wall. Crossing the threshold was like stepping back into night. Daylight absorbed into the inky darkness of the soot-stained interior.

An hour passed and still few signs of life. The office staff said that everything would begin around ten, still more than an hour away. Peeved by all the debauchery forfeited to be here at this unreasonable hour, I picked up a notebook from 7-11 to scribble a nasty letter to our illustrious Dictator-in-Chief about his “intelligence failures”.

Sitting down on the riverbank with a greasy bag of chips and a pen oozing with venom, my tirade was about to begin when a long string of buses interrupted me. Could these hold the elusive Tang-ki? Soon the parking lot was near full of buses and cars and scooters and a veritable parade of strangely dressed and strangely prancing worshippers. Some dressed like gods and demons, others carried swords, while still others performed beautifully fluid martial arts demonstrations – on stilts. As if on cue, Pawl appeared out of thin air behind me, camera in each hand, looking like he’d just won the lottery.

It was a photographer’s feast, but with very difficult shooting conditions. Dark, moving subjects plus strong backlighting equals a camera filled with hundreds of crap photos. I was also without my beloved 28/200mm lens, which sustained damage on a previous Xpat assignment, and was left juggling an 18/55mm lens —not nearly enough zoom, and a 90/300 —too much zoom.


  Still no Tang-ki. Pawl vanished as quietly as he arrived, leaving me in the midst of ladies in pink-and-green checkered skirts and bells on shoes, dancing with trays of cash to music playing on their ancient 8-track stereo system. It was deafening.  

The 8-track music was drowned out by traditional drum and cymbal ensembles, a marching band and one forty-foot string of firecrackers after another, with periodic boxes of bottle-rockets thrown in. With my last nerves crying out in agony, I backed away from the throng and tried not to look like I was making out like a bank robber in full getaway mode, heading for my battered steed in the distance.

Halfway to my steed, three shirtless guys appeared, one of whom was holding a weapon cleverly crafted to look like the long toothy mouth of a swordfish. I then saw that it was indeed the long toothy mouth of a swordfish. He began to flay himself over the shoulder with this nasty looking instrument.


 

Braving the din once more, I followed them back into the temple, shooting all the while as the blood began to flow. The other two were equipped with what looked like a large inverted pin-cushion on a string and a diminutive baseball bat bristling with spikes. Suddenly the shutter refused to fire; my memory card was full. This is not the first time since going digital that my carelessness left me standing in the middle of the action like some soldier, bullet-less, in a raging battle desperately searching the camera for some junk photos to get rid of.

 

The situation looked grim until I stumbled upon a bunch of snaps of Matt giving his speech at the release party. They freed up enough space for a final couple of frames as this unique ritual drew to a close.

The return journey to Tainan through the warming air left me exhausted, but happy, having survived yet another Xpat assignment with my sanity intact (but maybe not my hearing), and pondering the strangeness of religion.

Green Taiwan Help The beaches



Most communities have several Tang-ki who dispense advice
and ‘perform' on religious occasions.

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Tang-ki is a southern Fujinese term that means
“divining child"

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Tang-ki are people (mostly men) who regularly become
possessed by a god.

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Tang-ki are people whose natural life is thought to be short, but
have been granted an extension to serve their god

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Nearly all Tang-ki don’t want to become Tang-ki and try to persuade the
possessing god to select someone else, or seek spiritual help, to avoid this fate

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While possessed Tang-ki usually engage in macabre displays
of self-mutilation.

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Performances include: singing, dancing, inhaling incense, cleansing,
fire walking, climbing sword ladders, and, most commonly, self-flagellation.

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That the Tang-ki seem to feel no pain when they mutilate their bodies, their wounds don’t
become infected, and the wounds heal quickly are all seen as evidence of divine intervention.

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When flagellating Tang-ki most often hit their upper back and less
frequently their forehead.

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Tang-ki use 6 tools: 1) octagonal spiked stick, 2) axe, 3) red mace (also known as the
“heavenly red tangerine”), 4) sword, 5) swordfish nose, 6) long knitting-like needles.

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Most Tang-ki make very little money. Though there are more now
than in the past, there are few professional Tang-ki.

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Tang-ki fill the role personal and religious advisor, as people come to
Tang-ki to speak to a god about their problems.

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Tang-ki are low-level mediums. They are usually only possessed by one spirit
or god and have little control over the possession.

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Tang-ki are, according to one anthropologist, “humble people who have quite
profound understandings of human spirituality and human psychology"

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High-level mediums -- Tong-ling zhe – who can contact numerous ghosts and
gods – can earn exorbitant amounts of money up to NT$10,000, or more, for one job.

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There are places known as zhou ling shan that are said to give
ordinary people the ability to become possessed like Tang-ki.

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Last updated: 2011-08-29 05:26:14

REVIEWS

This is unbeliveably wild. These Tang Ki guys look like they are inflicting a lot of pain . They really don't feel it?

2011-06-13

The blood looked fake, but I have been informed that this Taiwan ritual is very real and real blood.

2011-07-10

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